A Review Of Grueling FIlm Paths Of Glory

Paths of Glory was originally written as a novel by Humphrey Cobb, a story which would turn into one of the greatest war movie classics made in the 50′s. Considered to be one among the most potent movies directed by Stanley Kubrick, this black and white close up at the politics of war has had audiences cringing for nearly half a century. Based on the French army’s efforts against the Germans during World War I, the movie takes a different turn then most war stories, examining the enemy from within, rather than those outside.

In an effort to please the politicians and civilians who grow tired of a lasting stalemate between French forces and invading German troops, The French General Staff devises a foolhardy idea. The normally reasonable general in charge of the forces the plan pertains to convinces himself that it is a plausible idea after the possibility of his promotion is mentioned. He relays this to the colonel overseeing the deadly World War I trench, and the colonel sees the sad truth surrounding the hopeless mission, without the ability to take action against it.

The film takes a subtle, and realistic by today’s standards, approach to the telling of a war story. The characters drive the plot forward without prompt from the external enemy, but rather from the inhumane judgments and justifications of their own seats of power. A depth exists in every private, general, and rank in between, along with the interactions between them. This is why the movie is a popular choice for teachers to assign their students to analyze and write about it for critical thinking.

The plight of Colonel Dax to defend the lives, honor, and rights of his troops is among the most heroic ventures a character can take. When the attack fails, as the Colonel and every soldier involved predicts, the General points to the troops themselves as the cause for their acts of cowardice. With the random assignment of three soldiers to take the fall for the entire regiment, the main hook of the story begins, and a court hearing begins to decide their fate.

The drama of this warning tale is effectively told through the medium of black and white film, giving the audience just as much emotional depth and drama as a film in full color. Though the art of using black and white is almost obsolete, some artistic directors and photographers still utilize its stark effect to convey the film noir style from the days before color and for its ability to create extreme contrasts. For example, in Paths of Glory, Kubrick utilizes the pitch black and dark gray in the trenches to contrast with the bright white within the overly elaborate and comfortable military headquarters.

One technical issue that many in today’s audience may notice is the tendency of the characters to pace around the room during thoughts and speech, sometimes to an unrealistic extreme. The reason for this is to keep the feeling of motion alive while characters are set in lengthy conversations. With the limited ability to move the camera itself due to the touchy nature of lighting at the time, shot diversity depended on the actors’ theatrical movements and gestures to stay interesting.

The movie does its best to portray the harsh reality of war, and the ironic cost of loyalty. It was the first of its kind to portray a disapproving face of war and the way it is run, a trend that didn’t become popular in Hollywood until after the Vietnam war. This was the reason it was banned in many European countries for decades while war was still perceived as something that should be glorified and patriotic.

Paths of Glory was highly critically acclaimed, though its box office profits were minimal. The moral behind the story lingers on with relevance as questions of human sacrifice for the sake of political war is more heavily disdained as generations pass. The movie is often used today as a critical thinking and discussion tool for English classes and Film classes alike, sharing the universal challenge of fate and orders for a long time to come.

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